Archives for February 2016


The 29th of February: Anomaly & Inspiration

Happy 29th of February! Enjoy it while you can since it won’t be around for another 4 years. The actual day, that is. But leap year or February 29th could be in your book.

Leap Year is one of those weird true stories that is so ingrained into our culture that we accept it without really thinking about it. Yes, there are 365 days in a year except on leap year when there are 366. And millennial years are another exception (it gets confusing). Anyway, this sort of detail is exactly the type of worldbuilding that makes a world start to feel real.

Our world isn’t perfect, especially society-wise (understatement), so we associate reality with a flawed system. Little quirks like this add a sense of reality to the system, and they can be used in a variety of ways – beyond setting.

  • prophecy: the day could be added every 400 years. Prophecy’s love crap like that.
  • plot conflict: have you ever screwed up something because you forgot it was leap year? It happens, believe me.
  • characterization: people with birthdays on February 29th only have birthdays every 4 years. That means at the actual age of 96, you would turn 24 on your birthday. Your great-grandkids could be older than you (put that together with prophecy, and you have a lot of potential.).

Actually, if you combined those three in a unique world, you could have a whole story. I can see it now: the main character can’t go off to school because you have to have x number of birthdays first, the higher ups had dismissed her as fodder for the prophecy because she’s too old, and the combination leads to an adventure where she ends up saving the world. Oh, it’ll be beautiful.

Or you could write something else and have February 29th come up in a bit of banter on page 172. You know, whatever floats your boat.


Be Careful How Often You Tell Yourself “I Can’t”

Tell yourself that you can't enough, and you won't. Em T. Wytte Quote

Are you willing to lock the door between you and your dreams?



Traditional Publishing vs. Indie Publishing: How Should I Sell My Book?

Traditional publishing vs. indie publishing is another “why are you asking me?” question. It’s also a question you’re going to have to answer for yourself; however, I can give you some information that may help inform your decision.

Answering this question generally comes down to a combination of 4 factors: prestige, control, money, and time/energy (they’re the same factor in this case – we’ll get to that).


It used to be that self-publishing was a career-breaker for writers. Not only was it really hard to make a profit (most self-publishing companies were too expensive for that), but also once  you did it, you’d effectively have marked yourself with a scarlet letter so that regular publishers wouldn’t want you anymore (not without major incentives).

Well, ebook sales have completely changed that. Writers can now sell their books with little-to-no upfront costs, and any residual negative connotations with self-publishing are rapidly disappearing.

The prestige of going through a publisher, on the other hand, is not fading quite as quickly. In many circles, there is still thrill and acclaim associated with being picked up by a publisher. It’s like a stamp of approval saying that your book made the cut. Indie publishing has about the same prestige as having your own blog (Yeah, it’s nice, but anyone can do it.).

If your main goal in publishing is to get that recognition, you don’t need to read further. You want traditional publishing (although I will say # of sales and making the charts on Amazon is starting to be its own stamp of approval, so this may change over time).


Ceding any control over your book can be hard. Scratch that. It can be insanely, drastically impossible (or it can seem that way). Changing your book simply because some editor (and what do they know?) said to? Excuse me?

I understand the emotion; however, I have mixed feelings about choosing self-publishing to get full control over your book. If you’re an experienced writer, and the book is still going through a thorough editing process, then I’m all for it. Sounds great. If you’re a first-time writer, you may or may not be doing yourself (and your book) a disservice.

Assuming that the editor is completely off base and that your book is perfect as it is… well, that’s problematic. While it’s possible, more often than not, the editor is right – if not about how to fix the problems, then at least about the fact that there are problems and what the problems are (alas, no book is perfect).

So getting full control is fine as long as that doesn’t become an excuse for ignoring major problems. Remember: making the book better means it will probably sell better (which means more money for you).


As much as writers are artists, we are also adults who (generally) need to make money to pay for important things (like food, rent, books – you know, the essentials). I’m not enough of an expert to tell you exact price points. What I want to talk about is perspective and strategy.

Are you more concerned with long-term payoff or a fast, guaranteed return?

If you need money to spend now, you’re going to get more upfront from traditional publishing than from indie publishing. With an advance against royalties contract, you get a big fat check upfront followed by royalties after you sell enough (which can take a while). Most of the figures I’ve seen for advances are quoted in the thousands (for more information, here’s “11 Frequently Asked Questions About Book Royalties, Advances and Money” by Chuck Sambuchino), so it can take a while for ebook sales to match that.

For example, to match a $3,000 advance, you’d have to sell between 700 and 8,600 copies of your ebook, depending on how you decide to price it. And that was one of the lower advances I saw.

Can you make more than that? Absolutely. If your book is good (or simply popularly appealing), and you get it out where people can see it, you can definitely sell a lot more than that. And the plus of getting to set your price is that you determine how high your royalties are – and when you compare royalties, ebooks almost always win out. With higher royalties, you definitely have the opportunity to make that much and more in the long-term.

The odds of it happening overnight are not so good.

If you’re confident that you can market to sell, and you don’t need the extra influx of cash, indie publishing could be a bigger payoff in the long-term. If you need some money now, you have a better chance of getting more with traditional publishing.


The last factor to consider is your time and energy. And I might add knowledge of marketing. Ideally, you’ll be doing some promoting either way; however, the amount is going to change based on whether you have help from a publisher or not.

Do you have the time, energy, and knowledge to do all your own marketing? More importantly, do you have the time, energy, and knowledge to do it well?

People can’t buy your book if they don’t know it’s there. That goes for printed books as well as ebooks. And that’s the point of marketing. The job of marketing is to make people know that the book is there and (we hope) make it sound worth buying. There’s a lot that goes into it – remember that businesses have a person or even a whole team of people whose full-time jobs are doing the marketing for that business.

If you go with indie publishing, you are responsible for your own marketing. Period. End of story. Unless your best friend is a marketing expert who’s willing to put in some hours as a gift, you are on your own. That means that all the time and energy spent researching, making marketing materials, and setting up ads or accounts are all coming from you (and the money that goes into  it does, too).

If you don’t think you can do that, indie publishing might not be the option for you.

With traditional publishing, at least some marketing is included. So while you should do some promotions yourself, you will not be completely on your own. The cover at least will be done for you, and most likely, there will be some deal to get the books printed and in stores. With copies of your books in bookstores, you also have the option of the impulse buy from browsing that is generally harder online.

Traditional Publishing vs. Indie Publishing

Prestige, control, money, time/energy – each of these factors can be huge, and they can vary dramatically from person to person. Or even from moment to moment and book to book. You can use traditional publishing for 1 book and indie publishing for another. People starting their careers might need a very different strategy from someone who’s well established.

So what’s your strategy? How will you sell your book?


How Long Will It Take You to Write a Novel?

I don’t know. What’re you asking me for?

Seriously though, the answer is “it depends.” It depends on how often you’re writing. It depends on how much you write when you do write. It depends on if/how often you re-write. It even depends on the type of novel (some genres’ books are longer than others).

I can’t give you an exact length of time without knowing all those variables. Still, I suppose I could estimate based on certain assumptions.

Let’s say you’re writing an average adult novel with a goal of @ 80,000 words. If you write 1,000 words every day and never re-write, you should have a rough draft in 80 days, right? It’s simple division. 80,000 divided by 1,000 is 80.

That’s a little under 3 months.

According to math, you could write a rough draft of a full novel in just under 3 months if you write 1,000 words a day. And a lot of people claim to write 1,000 words a day. So why aren’t more people churning out new novels every 3 months?

Well, there’s a couple of other factors. Add in plotting and research, and you’re probably over 3 months. Maybe over 4. Add in re-writing, even if you only do it every couple of months, and you could easily tack on another month. Possibly 2. Or 3. (That’s why everyone tells you to avoid re-writing too much!)

Oh, and are you writing full-time? Or are you squeezing in your writing while working a full-time job?

If writing that novel isn’t your full-time job, writing 1,000 words a day gets a lot harder. You might be able to do it writing an hour a day, and you might not. Some days, you might write 1,300. Other days, you might only write 300. They tend to average out eventually, but those 300-word days are going to affect your overall time. And if you date, have friends, or have kids (etc., etc.), those daily counts are going to fluctuate even more.

So how long will it take you to write a novel?

It all depends on you. If you’re dedicated and willing to tug and shove and slice your schedule to make the time every single day, you could do it in 3 months. It may be crap – that depends on you, too.

Since it depends on you, forget how fast or slow anyone tells you it should go (you know, unless you have a deadline). Go as fast or as slow as you need to. Push yourself but know your own limitations. The biggest goal is to finish it. Make sure you’re moving forward. Writing your novel will take as long as it takes.

You won’t know for sure until you actually sit down and write it.